writing

Published writing

Centrefold 1974: A Memoir ­– a series of excerpts’, Feminist Art and Activism, Katy Deepwell (ed.), Amsterdam and London: Valiz and Middlesex University, 2020 (upcoming)

‘Havana-London Diary: Art Publishing, Sustainability, Free Speech and Free Papers’, Whose Book Is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity, Janis Jefferies and Sarah Kember (ed.), Cambridge: Open Book Publishers, 2019

‘Zoe Leonard: I want a President: Transcript of a Rally, November 6, 2016’, Three Letter Words, 3 April 2017

‘Hot Baths’, Transactions of Desire: Are you allergic to the 21st Century?, Louise O’Hare and Sarah Perks (ed.), Manchester: HOME Publications, 2015

‘Sustainable Publishing: A Love Letter’, Plastic Words, Louisa Bailey, John Douglas Millar, David Musgrave, Luke Skrebowski, Natasha Soobramanien and Luke Williams (ed.), London: Publication Studio, 2015

‘Not Quite Shame: Embarrassment and Andrea Büttner’s Engel der Geschichte’, Afterall, Summer, 2014

‘Shelf: I prefer bookshops’, AD Library, Jeremy Akerman and Eileen Daly (ed.), London: Akerman Daly, 2013  

‘On Automatic Writing/Instant Publishing’, Institute of Contemporary Art, London, May 2013

‘Potlatch: Gift as Threat’, A Rate of Exchange, Ways of Working series, Cambridge: Wysing Arts Centre, 2013

‘Publish and be Damned: Why Publish? Why Distribute?’, Again, A Time Machine: From Distribution to Archive, Gavin Everall and Jane Rolo (ed.), London: Book Works, 2012

‘Cerith Wyn Evans: Reference and Ventriloquism’ Afterall, March 2011

‘Manifesta 8 and the Problems of Sincerity’ Afterall, November 2010

‘Lars Laumann at the Liverpool Biennial’, TANK, Autumn 2010

‘Scraping’, Marcel Dinahet, Paris: Liénart editions, 2010

‘Cyprien Gaillard at MMK Zollamt’, TANK, Summer 2010

‘Interview with Laure Prouvost’, Solo Show, London: Royal College of Art, 2010